This might be the case when a vocal harmony or two is created by duplicating a lead vocal and then applying editing and/or pitch shifting techniques to create a new version of it that will serve as a suitable harmony line. However, just as with many artificial means of creating what would otherwise be live acoustic recordings (sampled instruments etc), the results can sometimes suffer from a somewhat stiff and overly mechanized quality. Of course, technology notwithstanding, the best approach to making harmonies is still probably to let a good singer record them, but there are plenty of reasons - often logistical and financial - why this may not always be possible, and so modern pitch technology is pressed into service. One typical example of this is the ability to create vocal harmony parts long after the singer has wrapped up and gone home. Now that sophisticated pitch editing and manipulation features have become commonplace - most DAWs include this capability to some degree and there are plenty of third-party options - we tend to take for granted the ability to shape and massage vocals in ways that would have been unheard of years ago.
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